Signs of a Woman’s Touch

trying to bring beauty into life

For the decade we have lived on our compound, our Nepalese gardener has trimmed the trees and mowed the playground’s lawn.  Like ranch hands in the West, he and the other men labor and live together, sharing a kitchen.  If he does have a family, he sees them every two years when he returns home for a vacation.

Gardening is a euphemism for what he does.  The lushest gardens are tended by residents’ hired help.  His real, money-making job is after hours when he washes cars.  During the day, this man silently wanders between the garden walls, chatting on his phone, avoiding his boss.  Often I find him crouched in the shade, half hidden, behind a tree.  Lately, he has been particularly preoccupied.

I think he is in love.

There are a few, tell-tale signs.

He has been strutting, not just shuffling, between the houses with a smile on his face.

Known for “supervising” his younger co-worker, who lifts the heavy trashcans onto the trolley and wheels it out the front gate, he has been seen carrying plastic shopping bags for a sari-clad woman.

A silk flower was planted between the bricks outside his door.

And someone placed a vine stem in a vase, hoping it will grow roots.

Rachel Gadsden’s Public Art

Rachel Gadsden al riwaq gallery bahrain

Sometimes the most extraordinary things come from a little push.

“Do you want to go?  Do you?  Okay, let’s do it.  I’ll get dressed and leave in five minutes.”

This was the conversation my friend and I had to go through to motivate ourselves to attend artist, Rachel Gadsden’s live painting exhibit.

3×3 meter canvases hung on the wall outside the Al Riwaq Gallery.  I found an empty seat next to my friend, artist Lena Dajani and settled in to watch the show.

Rachel Gadsden, dressed head to toe in black with pink trainers, started sketching a couple of figures using charcoal. She turned to the audience,

“I need some help to create this work.  Who would like to join me?”

I admired her courage.  First, painting in front of a group must be a bit like speech making; one of the top ten things people dislike doing.  Secondly, she did not know how much effort it took to motivate the self-conscious, mostly young, female audience, wearing hijab to trade their phones for a paint brush.

I grabbed a tissue from the passing waitress and got busy munching the chicken avocado sandwish.  I encouraged my young, thirteen-year old friend to get up and paint.  She suddenly discovered the chocolate cake and busied her hands.

A young man, wearing a backpack, was walking by.  Hearing Rachel, he looked at the staring, waiting crowd and volunteered.  Given a palette of paint, he began swirling color around the canvas.  After a few minutes, he turned to us and asked, “Who would like to go next?”

Eventually a couple of European ladies got up and painted. As I watched the combination of grey-blue, orange, red and teal cover the canvas, I wondered how the artist would pull it all together.

Two of the four canvases completed, Rachel started on the third canvas.  The young girls around me would not go up.  Finally, I could not wait any longer.  I grabbed a paint brush and started painting curves and circles.   As I painted, Rachel Gadsden explained to the audience how honored she felt when Prince Charles and the Duchess of Cornwall had been at the opening of her exhibit “This Breathing World” at Katara Cultural Village for the Arts and Disability Festival in Doha.

Rachel Gadsden Painting in Adliya

I barely heard her.  It was so FUN painting without fear, free from any worry what the end result would look like.  I let the color move itself across the canvas.  I could have continued longer, but felt obliged to share the joy and sat down.

Rachel asked, “Can someone come up and write some words in Arabic.  I would love to have my experience being here in the Middle East as part of the painting.”

I told the girls around me, “See I went up.  Now you have to go.”

“I do not know what word to write,” they claimed.

“Peace, love, happiness, breath,” I suggested.  “Ocean, sun.”

We continued back and forth.  I could not convince them to go up by themselves.  Finally I said, “You help me to write moon in Arabic.”

“Which moon do you want to write?” the young woman,wearing square glasses, asked me. “Hilal is the small crescent moon.  It is masculine.  Or the full moon, that is feminine.”

“The feminine,” I said.

Together we went up to the canvas.  She said, “I will move your hand and you can write it.”

I held the charcoal and she guided me through moon.  As soon as the word was done, she left me to color it in.  By the time I relinquished the palette, the paintings were nearly complete.

Returning to my chair, I encouraged my young friend to add a word before the session ended.  She began consulting the Bahraini girls.  Purses were opened, pens were located, and finally a scratch paper was torn from the memo pad.  Thanking the young women, she rushed to the canvas and wrote her word across the bottom.

“What did you write?” asked Rachel.

Rachel Gadsden final painting with courage in adliya_edited-1

“Courage” she smiled, her braces showing.

That’s what Art does.  It gives us courage to engage our neighbors, linking us together despite the differences in culture and abilities.  And it only takes the vision of one person, someone like Rachel Gadsden, to motivate us to find shared beauty within the multi-colored mess of our world.

About Rachel Gadsden

Contemporary artist, Rachel Gadsden, is the Director of Unlimited Global Alchemy

Her exhibit This Breathing World is about experiencing disabling conditions and fighting for life in the face of social taboos.   It includes drawings, paintings and films, and is underpinned by themes of fragility and resilience, a shared and positive sense of survival in the face of chronic health conditions, and the politics and mythologies surrounding disability.

Unlimited Global Alchemy was one of the thirteen commissions awarded during the second round for Unlimited is the ground-breaking programme that celebrates arts and culture by disabled and deaf artists.  Funded by the Olympic Lottery Distributor, 820,000 pounds was granted to artists for the London 2012 Cultural Olympiad.  Unlimited Global Alchemy is one of three commissions in round two who created in collaboration with international partners and with funding contributed by the British Council.   Unlimited is delivered in partnership between London 2012, Arts Council England, the Scottish Arts Council, Arts Council of Wales, Arts Council of Northern Ireland and the British Council.

You can see her photos, which are much better than mine, on her tumblr account and learn more about her on her website.

About the British Council

The British Council sponsors artists who come to Bahrain and offers free classes to anyone who wants to sign up.  Meant to help encourage art within the local community, my experience is I show up and usually there is an open seat.  I take one and suddenly meet the most extraordinary people.

Rachel Gadsden’s visit is being sponsored by the British Council and the Al Riwaq Gallery.

Hey Sexy Owl

Letters to Ishtar 3

Recently the newspaper reported that women in downtown Manama were being harassed by tourists.  The tourists were assuming all women walking along this particular street were “women of the night”.  One woman said the men in their cars, slowly drove by and called out, “Hey sexy owl.”

I did not understand the owl reference and have been asking Arab people whether they could explain it.  No one had an answer for me.  It was after stepping into the Al Riwaq Gallery to see Letters to Ishtar that I realized the source of this very ancient, owl reference.

Ishtar from Babylonia British_Museum_Queen_of_the_Night from Wikipedia

Ishtar, was the great Babylonian Goddess.  The Bible referred to her as Ashtoreth and the Mother of Harlots.  One of her symbols was the owl.  In many depictions, she held a staff made of intertwined snakes, the caduceus’ precursor.

“With exultation in my supremacy, with exultation do I, a Goddess, walk supreme; Ishtar, the Goddess of the evening, am I; Ishtar, the Goddess of morning, am I; Ishtar who opens the portals of heaven, in my supremacy.” – Poems to Ishtar.

HAR meant temple of women and Harine referred to the female. spiritual rulers in Ishtar’s city, Uruk, in ancient Iraq.  Bahrain’s story intertwines with Ishtar’s because she wanted to marry Gilgamesh.  Gilgamesh refused her proposal.  Enraged, she sent her heavenly bull to kill him.  Gilgamesh, helped by his friend Enkidu, killed the bull and threw its thigh at her face.

Letters to Ishtar 2

Using poetry, painting, collage and sculpture, Iraqi artist, Himat Mohamed Ali has created a dialogue about this ancient Goddess.  It is on display at Al Riwaq through April 24th as part of the Spring of Culture.  It is an interesting opportunity to explore how the ancient past continues to exist within the region’s subconscious.

Karibu Tanzania Exhibit Opens March 2 at World Beat in Bahrain

Lena W Dajani Karibu Tanzania Bahrain 2013

Lena Dajani Karibu Tanzania Spring of Culture 2013

Hunting Ghosts in the World’s Largest Prehistoric Cemetery

bahrain burial mounds view from the air

Bahrain’s ghosts have been around since – well – since words were first scratched into clay.  Back in 1890, writer J.T. Bent described Bahrain’s inner desert as a “vast sea of sepulchral mounds.”

One of the world’s largest, Bronze Age, cemeteries, the Sumerians called ancient Bahrain, Dilmun, the place where no man or woman cried or felt sickness.  The legend was the neighboring countries sent their dead to Bahrain to live out their eternity in Paradise.

Bahrain burial mounds

Today, the 170,000 burial mounds are believed to be the final resting place for five centuries of island inhabitants and not the neighboring countries’ relatives.  Whether or not the dead were locals, the island still carries their ghostly memories.

Funny enough, these ghosts leave their mark on the island’s transient, expatriate population.

Writer and cultural commentator, Deonna Kelli Sayed, was one resident whose years living on the island impacted her life in ways she may not have anticipated.  Although we never had a conversation about the island’s ghosts during our writing classes, it was while living in Bahrain that Deonna became fascinated with ghost hunters.

After she and her family moved back to the USA, she literally began following the Syfy Channel’s paranormal investigators and documenting her experiences.

Paranormal obsession by deonna kelli sayed ghost hunting

Her adventures and interest in culture led to her first book, Paranormal Obsession where she investigated America’s interest in the paranormal since 9/11.

so you want to hunt ghosts by deonna kelli sayed

But her second book, So You Want to Hunt Ghosts: A Down to Earth Guide, is the one you might want to consider if you are interested in investigating for yourself whether or not ghosts are real.  The book “explains how to conduct historical research on your case, how to properly document your discoveries, and how popular media and ghost hunting TV shows have impacted the modern paranormal community.”

deonna kelli sayed american muslim bahrain ghosts

Deonna Kelli Sayed is a fascinating Global Citizen.  She talks about her first paranormal experience in New York, her multi-cultural family and living in Bahrain in this January 2013 interview on That’s Some AmericanMuslim Life.

A Taste of Africa In Bahrain

Lena W Dajani Karibu Tanzania Bahrain 2013

During the Spring of Culture, Lena W Dajani, an artist and my friend, is having her first solo exhibit at World Beat Fitness starting March 2, 2013.

 Karibu Tanzania is Swahili for “Welcome to Tanzania”.

The beauty of Tanzania’s vibrant landscapes and people are the subject of Lena’s first solo exhibit.  Between 2008 –2010, Lena and her family lived in Dar Es Salam.  She immediately fell in love with the city, its idyllic setting on the Indian Ocean and tropical landscape.  From Dar Es Salaam, the family explored the shores of Zanzibar, sailed the Indian Ocean, and took numerous safari trips to the country’s national parks.  Traveling through the Ngorongoro Crater, Manyara, Serengeti, Amani, Saadani, Bongoyo, Mbudya and Ruaha reserves, she captured the family adventures.  This exhibit was created from her thousands of photos.

Lena was a member of Artist Seana Mallen’s Awali Arts.  Under Seana’s artistic guidance, her painting developed from a hobby to a commitment to create unique artwork drawing from her global experiences.  A busy mother, she currently works with watercolor and acrylic painting that allows her to quickly and effectively re-create and capture her impressions.

Private collectors in Bahrain, Saudi Arabia, Jordan and Tanzania have purchased Lena’s paintings.  She created a line of greeting cards and has presented her art work in several local exhibitions.

  • Bahrain International Garden Show (2007 & 2008) with the Awali Arts
  • Desert Designs, Al Khobar, Saudi Arabia (2007)
  • Art House Open Studios, Bahrain (2008)
  • BAPCO’s 2012 First Annual Art competition, Bahrain (2012)

Karibu Tanzania will continue through March at World Beat.  However, if you can, on the opening day, stop by to meet and chat with Lena.  Her conversations range from Islamic art, Edward Tingatinga’s paintings, African safaris, Bali artists, high-tea in London, camping trips in Oman, Middle East politics, recipes from Gourmet magazine or family tennis tournaments in the south of France.  Her passport may say American, but she is a true Global Citizen and her art is inspired by global culture.

You can LIKE Lena on FACEBOOK.

Lena Dajani Karibu Tanzania Spring of Culture 2013

SPRING OF CULTURE 2013

Ballet-Revolucion1-620x285

March and April are fantastic months to be in Bahrain.  The weather is comfortable and the Spring of Culture is taking place.

Of course, it is fun to see big names like Bocelli, but what I love about Spring of Culture is we get to see lesser known, but amazing, performers from around the world.  There will be lecturers from Lebanon, Morocco, Yemen and Tunisia; dancers from Cuba and India; an international poets panel; and family events by creative teams from Scotland, Italy, Lebanon and Australia.

The government sponsors much of Revealing Bahrain’s month-long, extravaganza of art, music, dance, poetry, and children’s programs.  Except for the ten ticketed shows, most events are FREE to the public.

Bahrain Nationa Theater

Kennedy Center Washington DC

A new addition to this year’s line-up is the newly opened Bahrain National Theater that reminds me of the Kennedy Center.  Il Divo, the Mahler Orchestra and Yanni will be performing there.  The Cuban dancers be performing at the beloved Arad Fort where every year we encounter a new parking experience.

Arad Fort Bahrain

Spring of Culture is more web-savvy this year.  Their updated website is a huge improvement.  And you can LIKE them on FACEBOOK and keep up on Tweeter.

Sheikha Mai walking with HRH King Hamad Al Khalifa

A big congratulations to Sheikha Mai, who with strength and finesse, single-handedly deals with the opposing voices.  Thanks to the Ministry of Culture team for once again highlighting all that is good about living in Bahrain.

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