I Do Not Want to Work; I Only Want A Puff

paris eiffel tower by eva the dragon 2014

Je ne veux pas travailler
Je ne veux pas déjeuner
Je veux seulement oublier
Et puis je fume

I discovered this song several years ago. Dreaming of running away to Paris, I picked up a “Paris” compilation album. In the midst of diapers and cheerios, Julia Child’s 1950s Paris seemed like the place for me. I only understood the woman when she sang,

I do not want to work
I do not want lunch
I only want to forget
And then I smoke.

Washing the dishes, I joined in during the chorus.

Fast forward a decade.

All over Bahrain were banners with a fantastic photo of a grey-haired man with a bow tie and a woman with an umbrella who obviously traveled by hot air balloon. Paired with an elegant Japanese woman – together they were Pink Martini and Saori Yuki. I had no idea what their music was but I loved the photos. My friend called and said she bought us front-row, balcony seats for the National Theater show. YEAH.

Pink Martini’s lead singer China Forbes stepped out wearing a bright green Bahraini jalabiya embroidered with silver. We were expecting a Japanese diva. In an American accent, China sang Let’s Never Stop Falling in Love. She had a fantastic voice. Wow!

“I bought this dress yesterday in Bahrain,” she announced. “I love it.” Everyone clapped their appreciation.

Thomas Lauderdale, the piano player, welcomed us and gave a little speech in Arabic, obviously thanking everyone for inviting them to Bahrain. The Bahrainis were thrilled and applauded his effort. Pink Martini was off to a crowd pleasing start.

China introduced the next song, Sympathique.

“This is the first song we wrote,” she said.

Suddenly I was back washing dishes. It was my theme-song. China was the woman who only wanted to smoke and daydream. She was my soul sister; the singer I am not.

Finally, in a long, sparkling red dress, Saori Yuki appeared moving like an elegant geisha. I have decided to adopt her graceful small steps that made her move like a mermaid. After singing Yuuzuki from their album 1969, she said,

“I was in City Center the other day and I saw a big photo of me near Shoe City. That is me? I was so surprised. Thank you, thank you, thank you,” she said with beautiful delicate bows.

Thomas Lauderdale introduced Uskudar as a traditional Turkish song the ALL Turks know the words to.

“Are there any Turkish people here?”

The lady sitting next to us raised her hand and hooted.

“Would you please come up on stage and sing it with us?” Thomas and China asked.

Nobody moved.

“Please all Turkish people know the words to this song.”

I reached over. “Go on, go sing.”

That was all the encouragement she needed. The woman jumped up and made her want down to the stage. She radiated pure joy as she sang and belly danced.

How do I describe Pink Martini? Excellent orchestra. China Forbes has beautiful, clear voice. Thomas and China know how to engage the audience with their jazzy songs that evoke a playful era. Pink Martini has a crowd-pleasing show.

Near the end Saori Yuki sang Puff, the Magic Dragon in Japanese.

With that, my evening was complete.

My mother took me to my first concert. It was Peter, Paul and Mary at the Red Rocks Amphitheater. The only song I remember was Puff the Magic Dragon.

 

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